Central_Asian_Buddhist_Monks.jpeg (470 × 591像素,文件大小:173 KB,MIME类型:image/jpeg)
摘要
描述 |
A Caucasian Central Asian monk, possibly an Indo-European Sogdian or Tocharian, teaching an East Asian monk, perhaps a Turkic Uyghur or Chinese, on a 9th-century AD fresco from the Bezeklik Thousand Buddha Caves near Turfan, Xinjiang, China. A detail from Praņidhi scene no. 5 in Temple no. 9. The book that this painting is reproduced in has full descriptions of these two figures. Relevant details, along with the German descriptions, are found below.
In "Tafel 19" of his Chotscho: Facsimile Reproduction of Important Findings of the First Royal Prussian Expedition to Turfan in East Turkistan] (Berlin, 1913), Albert von le Coq identified the figure on the right as a "Tocharer" (i.e. Tocharian) and the figure on the left as "Ostasiate" (i.e. East Asian). In other murals of the Bezeklik Budda Caves, however, foreign-looking Caucasian men have been identified as ethnic Sogdians (an Eastern Iranian people). For instance, Scene No. 6 in Temple 9, in the same temple as the aforesaid mural, modern scholars have identified the kneeling men draped in silk robes as Sogdians (see Gasparini, Mariachiara. "A Mathematic Expression of Art: Sino-Iranian and Uighur Textile Interactions and the Turfan Textile Collection in Berlin," in Rudolf G. Wagner and Monica Juneja (eds), Transcultural Studies, Ruprecht-Karls Universität Heidelberg, No 1 (2014), pp 134-163. ISSN: 2191-6411. See also endnote #32 for further information on source material.) |
日期 | century-8 |
来源 | Chotscho: Facsimile Reproduction of Important Findings of the First Royal Prussian Expedition to Turfan in East Turkistan, Berlin, 1913. A catalogue of the findings of the Second German Turfan Expedition (1904–1905) led by Albert von Le Coq, containing colour reproductions of the murals, which were destroyed in WW2. (National Institute of Informatics – Digital Silk Road Project Digital Archive of Toyo Bunko Rare Books) |
作者 | of the paintings - Unknown. Of the book, Albert von Le Coq. |
其他版本 |
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根据《中华人民共和国著作权法》(2020年修正),本作品在中华人民共和国司法管辖区内著作财产权保护期届满,故属于公有领域。
视听作品(电影作品和以类似摄制电影的方法创作的作品)、法人或者非法人组织的作品及著作财产权由法人或非法人组织享有的职务作品、作者身份不明的作品,自首次发表第50年12月31日后或自创作之日起第50年12月31日仍未发表的,则进入公有领域;自然人的摄影作品,著作权保护期于2021年6月1日前届满的,属于公有领域;其他的自然人作品,则在作者死亡后50年后进入公有领域。
请注意:根据《中华人民共和国著作权法》规定,作者的署名权、修改权、保护作品完整权的保护期不受限制。
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