节奏：修订间差异

* {{wikicite|ref={{harvid|MacPherson|1930}}|reference=MacPherson, Stewart, ''Form in Music'', London: Joseph Williams, 1930.}}

* {{wikicite|ref={{harvid|Middleton|1990}}|reference=[[Richard Middleton (musicologist)|Middleton, Richard]] (1990). ''Studying Popular Music''. Philadelphia: Open University Press. {{ISBN|0-335-15275-9}}.}}

* {{wikicite|ref={{harvid|Moravcsik|2002}}|reference=Moravcsik, Michael J. (2002). ''Musical Sound: An Introduction to the Physics of Music''. New York: Kluwer Academic/Plenum Publishers. {{ISBN|978-0-306-46710-3}}.}}

* {{wikicite|ref={{harvid|Narmour|1977}}|reference=Narmour, Eugene. ''Beyond Schenkerism: The Need for Alternatives in Music Analysis''. Chicago and London: University of Chicago Press, 1977. Phoenix paperback edition 1980. {{ISBN|978-0-226-56847-8}} (cloth); {{ISBN|978-0-226-56848-5}} (paperback).}}

* {{wikicite|ref={{harvid|Roads|2001}}|reference=Roads, Curtis (2001). ''Microsound''. Cambridge, MA: MIT Press. {{ISBN|978-0-262-18215-7}}; {{ISBN|978-0-262-68154-4}}}}

* {{wikicite|ref={{harvid|Rothstein|1989}}|reference=Rothstein, William (1989). ''Phrase Rhythm in Tonal Music''. New York: Schirmer Books. {{ISBN|9780028721910}}.}}

* {{wikicite|ref={{harvid|Sandow|2004}}|reference=Sandow, Greg (2004). "A Fine Madness". In ''The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology'', edited by Arved Mark Ashby, 253–58. {{ISBN|1-58046-143-3}}. Reprinted from ''The Village Voice'' (16 March 1982).}}

* {{wikicite|ref={{harvid|Scholes|1977a}}|reference=Scholes, Percy (1977a). "Form", in ''The Oxford Companion to Music'', 6th corrected reprint of the 10th ed. (1970), revised and reset, edited by John Owen Ward. London and New York: Oxford University Press. {{ISBN|0-19-311306-6}}.}}

* {{wikicite|ref={{harvid|Scholes|1977b}}|reference=Scholes, Percy (1977b). "Metre", in ''The Oxford Companion to Music'', 6th corrected reprint of the 10th ed. (1970), revised and reset, edited by John Owen Ward. London and New York: Oxford University Press. {{ISBN|0-19-311306-6}}.}}

* {{wikicite|ref={{harvid|Scholes|1977c}}|reference=Scholes, Percy (1977c). "Rhythm", in ''The Oxford Companion to Music'', 6th corrected reprint of the 10th ed. (1970), revised and reset, edited by John Owen Ward. London and New York: Oxford University Press. {{ISBN|0-19-311306-6}}.}}

* {{wikicite|ref={{harvid|Toussaint|2005}}|reference=Toussaint, Godfried T., “The Geometry of Musical Rhythm,” In J. Akiyama, M. Kano, and X. Tan, editors, ''Proceedings of the Japan Conference on Discrete and Computational Geometry'', Vol. 3742, Lecture Notes in Computer Science, Springer, Berlin/Heidelberg, 2005, pp. 198–212.}}

* {{wikicite|ref={{harvid|White|1976}}|reference=White, John D. (1976). ''The Analysis of Music''. Englewood Cliffs, NJ: Prentice-Hall. {{ISBN|0-13-033233-X}}.}}

== 延伸閱讀 ==

{{refbegin|2}}

* Humble, M. (2002). [https://www.scribd.com/doc/25227226/The-Development-of-Rhythmic-Organization-in-Indian-Classical-Music The Development of Rhythmic Organization in Indian Classical Music], MA dissertation, School of Oriental and African Studies, University of London.

* Lewis, Andrew (2005). ''Rhythm—What it is and How to Improve Your Sense of It''. San Francisco: [http://rhythmsource.com/dev/books/ RhythmSource] Press. {{ISBN|978-0-9754667-0-4}}.