节奏:修订间差异

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[[File:Phenakistoscope 3g07690b.gif|缩略图|一幅早期的华尔滋舞蹈动画,顯出一連串的反覆重疊,而形成了奏。]]
[[File:Phenakistoscope 3g07690b.gif|缩略图|一幅早期的華爾滋舞蹈動畫,顯出一連串的反覆重疊,而形成了奏。]]


'''节奏'''({{lang-en|Rhythm}})是一种以一定速度的快慢的[[节拍]],主要是不同长短的音值和音调上的高低把它们组合到一起。例如,2/2拍就是[[强]]/[[弱]],也就是我们常听到的“[[嘭恰]]”,那么3/4拍是[[强]]/[[弱]]/[[弱]],也就是“[[嘭恰恰]]”,我们常听到的[[圆舞曲]]大部分就都是3/4拍的了,4/4拍是[[强]]/[[弱]]/[[次强]]/[[次弱]]。节奏可以独立被欣赏,例如锣鼓演奏。节奏也可以成为旋律音乐的骨架。
'''节奏'''({{lang-en|Rhythm}})是一种以一定速度的快慢的[[节拍]],主要是不同长短的音值和音调上的高低把它们组合到一起。例如,2/2拍就是[[强]]/[[弱]],也就是我们常听到的“[[嘭恰]]”,那么3/4拍是[[强]]/[[弱]]/[[弱]],也就是“[[嘭恰恰]]”,我们常听到的[[圆舞曲]]大部分就都是3/4拍的了,4/4拍是[[强]]/[[弱]]/[[次强]]/[[次弱]]。节奏可以独立被欣赏,例如锣鼓演奏。节奏也可以成为旋律音乐的骨架。


奏的組成:
奏的組成:
<div style="direction: ltr;">
<div style="direction: ltr;">
1.模式的
1.模式的
2.聲音的
2.聲音的
3.聲音的
3.聲音的
4.聲音的有
4.聲音的有
</div>
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* 1/4拍: ti
* 1/4拍: ti


== 考文 ==
== 考文 ==
{{refbegin|2}}
{{refbegin|2}}
* {{wikicite|ref={{harvid|Agawu|2003}}|reference=Agawu, Kofi. 2003. ''Representing African Music: Postcolonial Notes, Queries, Positions''. New York: Routledge.}}
* {{wikicite|ref={{harvid|Agawu|2003}}|reference=Agawu, Kofi. 2003. ''Representing African Music: Postcolonial Notes, Queries, Positions''. New York: Routledge.}}
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* {{wikicite|ref={{harvid|MacPherson|1930}}|reference=MacPherson, Stewart, ''Form in Music'', London: Joseph Williams, 1930.}}
* {{wikicite|ref={{harvid|MacPherson|1930}}|reference=MacPherson, Stewart, ''Form in Music'', London: Joseph Williams, 1930.}}
* {{wikicite|ref={{harvid|Middleton|1990}}|reference=[[Richard Middleton (musicologist)|Middleton, Richard]] (1990). ''Studying Popular Music''. Philadelphia: Open University Press. {{ISBN|0-335-15275-9}}.}}
* {{wikicite|ref={{harvid|Middleton|1990}}|reference=[[Richard Middleton (musicologist)|Middleton, Richard]] (1990). ''Studying Popular Music''. Philadelphia: Open University Press. {{ISBN|0-335-15275-9}}.}}
* {{wikicite|ref={{harvid|Mithen|2005}}|reference={{cite book |last=Mithen |first=Steven |authorlink=Steven Mithen |year=2005 |title=The Singing Neanderthals: The Origins of Music, Language, Mind and Body. |publisher=London: Weidenfeld & Nicolson. |isbn=0-297-64317-7 |url=http://www.epjournal.net/filestore/ep03375380.pdf}}}}
* {{wikicite|ref={{harvid|Mithen|2005}}|reference={{cite book |last=Mithen |first=Steven ||year=2005 |title=The Singing Neanderthals: The Origins of Music, Language, Mind and Body. |publisher=London: Weidenfeld & Nicolson. |isbn=0-297-64317-7 |url=http://www.epjournal.net/filestore/ep03375380.pdf}}}}
* {{wikicite|ref={{harvid|Moravcsik|2002}}|reference=Moravcsik, Michael J. (2002). ''Musical Sound: An Introduction to the Physics of Music''. New York: Kluwer Academic/Plenum Publishers. {{ISBN|978-0-306-46710-3}}.}}
* {{wikicite|ref={{harvid|Moravcsik|2002}}|reference=Moravcsik, Michael J. (2002). ''Musical Sound: An Introduction to the Physics of Music''. New York: Kluwer Academic/Plenum Publishers. {{ISBN|978-0-306-46710-3}}.}}
* {{wikicite|ref={{harvid|Narmour|1977}}|reference=Narmour, Eugene. ''Beyond Schenkerism: The Need for Alternatives in Music Analysis''. Chicago and London: University of Chicago Press, 1977. Phoenix paperback edition 1980. {{ISBN|978-0-226-56847-8}} (cloth); {{ISBN|978-0-226-56848-5}} (paperback).}}
* {{wikicite|ref={{harvid|Narmour|1977}}|reference=Narmour, Eugene. ''Beyond Schenkerism: The Need for Alternatives in Music Analysis''. Chicago and London: University of Chicago Press, 1977. Phoenix paperback edition 1980. {{ISBN|978-0-226-56847-8}} (cloth); {{ISBN|978-0-226-56848-5}} (paperback).}}
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* {{wikicite|ref={{harvid|Roads|2001}}|reference=Roads, Curtis (2001). ''Microsound''. Cambridge, MA: MIT Press. {{ISBN|978-0-262-18215-7}}; {{ISBN|978-0-262-68154-4}}}}
* {{wikicite|ref={{harvid|Roads|2001}}|reference=Roads, Curtis (2001). ''Microsound''. Cambridge, MA: MIT Press. {{ISBN|978-0-262-18215-7}}; {{ISBN|978-0-262-68154-4}}}}
* {{wikicite|ref={{harvid|Rothstein|1989}}|reference=Rothstein, William (1989). ''Phrase Rhythm in Tonal Music''. New York: Schirmer Books. {{ISBN|9780028721910}}.}}
* {{wikicite|ref={{harvid|Rothstein|1989}}|reference=Rothstein, William (1989). ''Phrase Rhythm in Tonal Music''. New York: Schirmer Books. {{ISBN|9780028721910}}.}}
* {{cite book |last=Sacks |first=Oliver |authorlink=Oliver Sacks |title=Musicophilia, Tales of Music and the Brain |url=https://archive.org/details/musicophiliatale2007sack |year=2007 |publisher=Alfred A. Knopf |location=New York and Toronto |isbn=978-1-4000-4081-0 |chapter=Keeping Time: Rhythm and Movement |ref=harv}}{{Page needed|date=July 2014}}<!--The inclusive page numbers of this chapter are needed.-->
* {{cite book |last=Sacks |first=Oliver ||title=Musicophilia, Tales of Music and the Brain ||year=2007 |publisher=Alfred A. Knopf |location=New York and Toronto |isbn=978-1-4000-4081-0 |chapter=Keeping Time: Rhythm and Movement |ref=harv}}{{Page needed|date=July 2014}}<!--The inclusive page numbers of this chapter are needed.-->
* {{wikicite|ref={{harvid|Sandow|2004}}|reference=Sandow, Greg (2004). "A Fine Madness". In ''The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology'', edited by Arved Mark Ashby, 253–58. {{ISBN|1-58046-143-3}}. Reprinted from ''The Village Voice'' (16 March 1982).}}
* {{wikicite|ref={{harvid|Sandow|2004}}|reference=Sandow, Greg (2004). "A Fine Madness". In ''The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology'', edited by Arved Mark Ashby, 253–58. {{ISBN|1-58046-143-3}}. Reprinted from ''The Village Voice'' (16 March 1982).}}
* {{wikicite|ref={{harvid|Scholes|1977a}}|reference=Scholes, Percy (1977a). "Form", in ''The Oxford Companion to Music'', 6th corrected reprint of the 10th ed. (1970), revised and reset, edited by John Owen Ward. London and New York: Oxford University Press. {{ISBN|0-19-311306-6}}.}}
* {{wikicite|ref={{harvid|Scholes|1977a}}|reference=Scholes, Percy (1977a). "Form", in ''The Oxford Companion to Music'', 6th corrected reprint of the 10th ed. (1970), revised and reset, edited by John Owen Ward. London and New York: Oxford University Press. {{ISBN|0-19-311306-6}}.}}
* {{wikicite|ref={{harvid|Scholes|1977b}}|reference=Scholes, Percy (1977b). "Metre", in ''The Oxford Companion to Music'', 6th corrected reprint of the 10th ed. (1970), revised and reset, edited by John Owen Ward. London and New York: Oxford University Press. {{ISBN|0-19-311306-6}}.}}
* {{wikicite|ref={{harvid|Scholes|1977b}}|reference=Scholes, Percy (1977b). "Metre", in ''The Oxford Companion to Music'', 6th corrected reprint of the 10th ed. (1970), revised and reset, edited by John Owen Ward. London and New York: Oxford University Press. {{ISBN|0-19-311306-6}}.}}
* {{wikicite|ref={{harvid|Scholes|1977c}}|reference=Scholes, Percy (1977c). "Rhythm", in ''The Oxford Companion to Music'', 6th corrected reprint of the 10th ed. (1970), revised and reset, edited by John Owen Ward. London and New York: Oxford University Press. {{ISBN|0-19-311306-6}}.}}
* {{wikicite|ref={{harvid|Scholes|1977c}}|reference=Scholes, Percy (1977c). "Rhythm", in ''The Oxford Companion to Music'', 6th corrected reprint of the 10th ed. (1970), revised and reset, edited by John Owen Ward. London and New York: Oxford University Press. {{ISBN|0-19-311306-6}}.}}
* {{wikicite|ref={{harvid|Slatkin|n.d.}}|reference=Slatkin, Leonard. n.d. "[https://web.archive.org/web/20080216021405/http://www.bbc.co.uk/radio3/discoveringmusic/ram/cdm0401slat1of4.ram Discovering Music: Rhythm] with [[Leonard Slatkin]]"}}.
* {{wikicite|ref={{harvid|Slatkin|n.d.}}|reference=Slatkin, Leonard. n.d. "[http://www.bbc.co.uk/radio3/discoveringmusic/ram/cdm0401slat1of4.ram Discovering Music: Rhythm] with [[Leonard Slatkin]]"}}.
* {{wikicite|ref={{harvid|Toussaint|2005}}|reference=Toussaint, Godfried T., “The Geometry of Musical Rhythm,” In J. Akiyama, M. Kano, and X. Tan, editors, ''Proceedings of the Japan Conference on Discrete and Computational Geometry'', Vol. 3742, Lecture Notes in Computer Science, Springer, Berlin/Heidelberg, 2005, pp.&nbsp;198–212.}}
* {{wikicite|ref={{harvid|Toussaint|2005}}|reference=Toussaint, Godfried T., “The Geometry of Musical Rhythm,” In J. Akiyama, M. Kano, and X. Tan, editors, ''Proceedings of the Japan Conference on Discrete and Computational Geometry'', Vol. 3742, Lecture Notes in Computer Science, Springer, Berlin/Heidelberg, 2005, pp.&nbsp;198–212.}}
* {{wikicite|ref={{harvid|White|1976}}|reference=White, John D. (1976). ''The Analysis of Music''. Englewood Cliffs, NJ: Prentice-Hall. {{ISBN|0-13-033233-X}}.}}
* {{wikicite|ref={{harvid|White|1976}}|reference=White, John D. (1976). ''The Analysis of Music''. Englewood Cliffs, NJ: Prentice-Hall. {{ISBN|0-13-033233-X}}.}}
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== 延伸閱讀 ==
== 延伸閱讀 ==
{{refbegin|2}}
{{refbegin|2}}
* {{cite journal |last1=Honing |first1=H |year=2002 |title=Structure and interpretation of rhythm and timing |url=http://www.hum.uva.nl/mmm/abstracts/mmm-TvM.html |journal=Tijdschrift voor Muziektheorie [Dutch Journal of Music Theory] |volume=7 |issue=3 |pages=227–232 |access-date=2018-01-17 |archive-date=2012-12-08 |archive-url=https://archive.is/20121208235344/http://www.hum.uva.nl/mmm/abstracts/mmm-TvM.html |dead-url=yes }}
* {{cite journal |last1=Honing |first1=H |year=2002 |title=Structure and interpretation of rhythm and timing |url=http://www.hum.uva.nl/mmm/abstracts/mmm-TvM.html |journal=Tijdschrift voor Muziektheorie [Dutch Journal of Music Theory] |volume=7 |issue=3 |pages=227–232 |access-date=2018-01-17 |||}}
* Humble, M. (2002). [https://www.scribd.com/doc/25227226/The-Development-of-Rhythmic-Organization-in-Indian-Classical-Music The Development of Rhythmic Organization in Indian Classical Music], MA dissertation, School of Oriental and African Studies, University of London.
* Humble, M. (2002). [https://www.scribd.com/doc/25227226/The-Development-of-Rhythmic-Organization-in-Indian-Classical-Music The Development of Rhythmic Organization in Indian Classical Music], MA dissertation, School of Oriental and African Studies, University of London.
* Lewis, Andrew (2005). ''Rhythm—What it is and How to Improve Your Sense of It''. San Francisco: [http://rhythmsource.com/dev/books/ RhythmSource] Press. {{ISBN|978-0-9754667-0-4}}.
* Lewis, Andrew (2005). ''Rhythm—What it is and How to Improve Your Sense of It''. San Francisco: [http://rhythmsource.com/dev/books/ RhythmSource] Press. {{ISBN|978-0-9754667-0-4}}.
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* [[音乐]]: [[旋律]]
* [[音乐]]: [[旋律]]


== 外部链接 ==
== 外部連結 ==
* [https://archive.org/stream/rhythmofproseexp00pattiala/rhythmofproseexp00pattiala_djvu.txt 'Rhythm of Prose', William Morrison Patterson ,Columbia University Press 1917]
* 'Rhythm of Prose', William Morrison Patterson ,Columbia University Press 1917
* [http://www.melodyhound.com/query_by_tapping.0.html Melodyhound has a "Query by Tapping" search that allows users to identify music based on rhythm]
* [http://www.melodyhound.com/query_by_tapping.0.html Melodyhound has a "Query by Tapping" search that allows users to identify music based on rhythm]
* [http://www.signosemio.com/semiotics-of-rhythm.asp Louis Hébert, "A Little Semiotics of Rhythm. Elements of Rhythmology", in ''Signo'']
* [http://www.signosemio.com/semiotics-of-rhythm.asp Louis Hébert, "A Little Semiotics of Rhythm. Elements of Rhythmology", in ''Signo'']
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{{music-stub}}
{{music-stub}}


[[Category:奏| ]]
[[Category:奏| ]]
[[Category:音乐术语]]
[[Category:音乐术语]]